Lyrics:

1. O Savior, thou who wearest
A crown of piercing thorn,
The pain thou meekly bearest,
Weigh’d down by grief and scorn.
The soldiers mock and flail thee;
For drink they give thee gall;
Upon the cross they nail thee
To die, O King of all.

2. No creature is so lowly,
No sinner so depraved,
But feels thy presence holy
And thru thy love is saved.
Tho craven friends betray thee,
They feel thy love’s embrace;
The very foes who slay thee
Have access to thy grace.

3. Thy sacrifice transcended
The mortal law’s demand;
Thy mercy is extended
To ev’ry time and land.
No more can Satan harm us,
Tho long the fight may be,
Nor fear of death alarm us;
We live, O Lord, thru thee.

4. What praises can we offer
To thank thee, Lord most high?
In our place thou didst suffer;
In our place thou didst die,
By heaven’s plan appointed,
To ransom us, our King.
O Jesus, the anointed,
To thee our love we bring!

Text: Karen Lynn Davidson, b. 1943. (c) 1985 IRI
Music: Hans Leo Hassler, 1564-1612; adapted by J. S. Bach, 1685-1750

-History: (Source: Wikipedia)

Written By: Karen Lynn Davidson

Karen Lynn Davidson (born 1943) is a Latter-day Saint hymnwriter, author and literary critic. Davidson has written widely on the hymns of both The Church of Jesus Christ of Latter-day Saints (LDS Church) and of the Community of Christ.
Davidson received her B.A. and M.A. from Brigham Young University. She then received her Ph.D. from the University of Southern California. She did post-doctoral research at the University of Cambridge and at the University of Chicago.
She had taught English at Brigham Young University and has been on the English faculty at the Mayfield Senior School.
Two hymns with texts by Davidson, “O, Savior Thou Who Wearest” and “Each Life That Touches Ours For Good”, are in the 1985 English-language edition of the LDS Church hymnal.
Davidson is currently working as a co-editor of one of the volumes in the Joseph Smith Papers Project.

Music By: adapted by J. S. Bach, Hans Leo Hassler

Johann Sebastian Bach^[1] (21 March 1685, O.S.^{31 March 1685, N.S.} – 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.^[2] Although he did not introduce new forms, he enriched the prevailing German style with a robustcontrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.

Revered for their intellectual depth, technical command and artistic beauty, Bach’s works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, theMusical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, and the Great Eighteen Chorale Preludes and Organ Mass.

Bach’s abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.^[3]

Hans Leo Haßler (baptized October 26, 1564 – d. June 8, 1612) was a German composer and organist of the late Renaissance and earlyBaroque eras, elder brother of the less-famous Jakob Hassler. He was born in Nuremberg and died in Frankfurt am Main.